Doctor Faustus tragic hero in renaissance. M.A:- Sem-1

Name: - Gohel Daya B.

Roll no: - 4

Paper no:-1, The Renaissance Literature.

Assignment title:-Doctor Faustus tragic hero in renaissance.

M.A:- Sem-1

Email ID: - dayagohil47@gmail.com

PG Enrollment no:-14101014

Submitted to:-Department of English m.k.b.university.

v Dr.Faustus as a tragic hero.

 Introduction

                    Dr.Faustus as the title of the play suggests Dr. Faustus is the hero of the play. It unique place in the play .He is the central pivot around whom the whole action of the play revolves. As it is a hero play Marlowe has given supers me significance to this character of the play appears just piggies. We cannot conceive of the play in the absence of this character. He is towering personality .He is such a fascinating character that we can never forget him. He shares our essential feeling he is above us for the extremities.

             Faustus is not entirely the creation of the dramatist’s imagination. His characters in the career bear close resemblance to those of the legendary Faustus of English Faust Book. It is true that Marlowe has borrowed this character from the above mentioned book. But he has totally transformed this character by imparting new life and vigor to it. Her we find a mere medieval magician transformed into one of the greatest dramatic fingers. He has become the symbol of man’s ever-insatiable curiosity of man’s yearning for infinite beauty and power. He is the center of conflict between good and evil that we always find raging within and without man.

              Dr. Faustus can easily be put in the category of great tragic heroes. He has all elements within himself which are needed to become a great tragic dramatic figure. His inordinate ambition, his unique teachable thirst for knowledge and his everlasting courage easily qualify him has a great tragic figure in literature.

                 We get details regarding his life from the chorus in the beginning of the play. He was born in poor family and his parents died when he was very young. He was educated at written by where he specialized himself in theology and got doctorate in divinity. He mastered many other subject including medicine and law. This shows that he was great scholar as far as academic achievements were concerned. But he was not satisfied with scholarship. He wanted to have infinitive knowledge which can give him infinite power and of his calamity. His ambition for something beyond human reach is the central issue of discussion. He is very proud of himself and believes he is not meant for ordinary life. This element in his character makes him essentially a Renaissance figure.

                  He is ready to sacrifice everything in order to get something beyond human reach. He is ready to join hands with Lucifer. He is not even disheartened in his play by the threat of God. It is true that we find him often form between two, facing a moral conflict of its own kind. But this is because he is essentially human. He is not totally devoid of human qualities. He is not diabolic in his approach toward life. He becomes sensualist from the moment that he takes up the book of magic. He undergoes tremendous change in the course of action. He is not the same. Dr. Faustus is in the end whom we meet in the beginning.  Slowly and gradually he losses all good qualities and at the end he becomes helpless as he can’t even repent for his sin like ordinary persons. This tremendous loss on the part of Faustus makes him a great pathetic figure. His constant conflict between good and evil and his spiritual anguish heightens the tragic effect. This inner struggle in Faustus reaches its climax in the last scene. This death scene is remarkable in the whole range of English Drama.

                  In Spite of his being a great magician he does not harm innocent people seriously. When he is confident of meeting his doom. He takes meticulous care to request and force his scholar friends to less him alone as he does not want his friends to be harmed by devil. He gives away all his worldly property to his faithful servant. This shows that he loved humanity at large and never wanted humanity to suffer because of his sins.

                  Dr. Faustus, thus, is with us as a great tragic hero of all time. He is a true representation of conquering power, as Barabbas is of the power knowledge which was the ideal of medieval scholar.

He is the most learned scholar of the day. He has learnt all that university can teach him and yet he has craving for the forbidden fruit of knowledge magic.

                  The conflict in his heart as depicted in the last scene is great. He invokes all element of nature and asks the spheres of heaven to stop so that the hour of death may not come and Faustus may not submit his soul to the Devil. It is the most pathetic scene in which we see the most courageous man craving for rescue. His tragedy is the tragedy of great ambition for lust and power. He can be ranked with the great heroes of Shakespeare.

        

Dr.Faustus renaissance tragedy.

                  Marlowe was the greatest ornament of public theater until Shakespeare. His reputation as a dramatist rests on his remarkable five plays. ‘Tambourine’, ‘Dr.Faustus’, “The Jew of Malta”, ‘Edward II’, ‘Dido, Queen of cartage’.  The first true voice of the renaissance is heard in these five plays. When Marlowe started writing the plays English Drama was in a chaotic condition. The tragedies were written on the model of Seneca which were full of horror and terror. The tragedy form was too melodramatic to be called artistic or aesthetic. The writers when followed classical form had no fire and zeal and those who had fire and zeal had no form. Marlowe was the first who tried to give standards form to English drama in general and to tardy in particular. Thus he was the first who serious tried to write English plays with vigor.

                  His plays are marked with renaissance spirit. As he was the child of renaissance he had great respect for renaissance element and this spirit he expressed in most of his plays. Dr. Faustus is the greatest English tragedy on a popular Faustus legend. As far as the theme and the story of this play are concerned, it is not original in itself.

                  The story of Faustus was widely popular. Dr.Faustus was a real person who was born in 1488, the period of renaissance. He was great scholar who studied all most all subjects including astrology alchemy, magic and gemology. He represented the best and the worst of the renaissance. He was revolution airy in his ideas and rebelled against the old traditions of society. Faustus’s legend was published in the form of book in German under the title ‘Faustian’. It was translated into English under the title ‘The History of Dr. John Faustus’ and was published in the year 1652.

                  Marlowe wanted to write a tragedy reflect renaissance elements and he found his character quite suitable for his purpose and the work. ‘The History of Dr. John Faustus perhaps he took as a model, Dr.Faustus like all the other heroes of Marlowe embodies the typical renaissance ‘virtue’ a concept popularized by Machiavelli in his book ‘prince’. ‘Virtue’ is that quality of man which drives him to find free and full expression for his own thought and emotion.

                  In this respect Dr. Faustus is essential a renaissance man. He has genuinely real reams issuance passion for knowledge infinite. He wants freedom to choose what he likes. He is not to be bound by any sort of taboos marrow has voiced this spirit of new learning thought him. He is a kind of intellectual and Philosophical Tambourine yearning not for wealth and power but for sensuous and intellectual experience.

                  Finally the climax of the renaissance magnificence is apparent in the most lyrical passage of the play where Faustus welcomes the apparition of Helen of Troy. To Faustus Helen of Troy gives not merely the supreme sensuous pleasure and delight but also all joy and rapture of the Greek Classics. This is evidently the strong renaissance classic for enlightenment and delight. Dr.Faustus is again a renaissance man in his human approach. He is essentially human in all his aspects. He loves human principle. This shows that the play is full of renaissance elements.

SUMMARY

                  The play ‘Dr.Faustus’ opens with a prologue spoken by the chorus. The chorus is a dramatic device mainly used by Greek dramatists to perform certain dramatic functions. It introduces the theme of the play. It also provides the introduction of the main character. It sets the tone and gives background to the play all the better. These all function are performed by the chorus of the play ‘Dr.Faustus’.

                  Dr.Faustus who was a great German scholar. He was a profound scholar but he was poor. He mastered many subjects and he was very popular. In this way the chorus introduces. Dr. Faustus and his circumstances in brief. He is thinking about himself. He finds himself a complete master of many subjects. As a medical doctor he has already achieved huge success and great renown. Now he is not able to decide which course of study he should take up for further study. Necromancy greatly attracts him. He thinks if he studies this black art then he will be able to master nature.

                  Meanwhile we find the arrival of good and evil angles. They try to persuade Dr. Faustus. It deems Faustus is not in mood to listen to good angels. It is interesting to not here that these good angles and evil angels symbolize the more conflict of Faustus. Good angels stand for his desire to have worldly pleasures. He is so exulted over the prospects of his forth coming adventures that he is not ready to pay any heed to his good sense. He thinks that with the study of magic he will get infinite power for pleasure.

                  His absence from the university where he works is felt and two scholars come to inquire about him. They come to know thought Faustus’s servant that his master is busy in learning black magic. These scholars are shock to know about such evil intentions of Faustus and they are sorry for him.

                  Faustus’s first act of magic is to summon Mephistopheles who is the assent of Satan. Faustus tries to command Mephistopheles but he refuse to obey him without prior permission on his master Satan (Lucifer). Faustus is very much interested in Lucifer and he asks several questions about him.

                  Mephistopheles explains everything about the downfall of Lucifer and other angel. He also tells Dr.Faustus about the Dr.Faustus from the study of magic. But Dr.Faustus repeatedly says that he would surrender his soul to Lucifer if he gives him worldly power and pleasure for 14 year.

                  Once again we see the appearance of good and evil angels and once again we find Dr.Faustus refusing to listen to good angel. Mephistopheles returns and informs that Lucifer agrees to the bargain. But the contract must be signed with the blood of Dr. Faustus. Faustus immediately agrees to do so. The contract is prepaid and Dr.Faustus tries to sign but he finds that his blood has congealed and then Faustus signs the bond.

                  Now Faustus spends him time in enjoying the fruits of this contract. He travels extensively thought the world. Like a gleeful child Faustus asks Mephistopheles who is now at his command according to the condition of the bond to do more mischief. This shows the utter degradation of Faustus. He who was once a mightily scholar has simply become the juggler harassing innocent people. As his fame spreads the emperor invites him to the palace and asks him to conjure up the spirit of Alexander the Great. One knight in the court doubts his power and Dr.Faustus, after fulfilling the emperor’s wish places horns on the head that knight.

                  Faustus foresees that his time has come to an end and he returns to Wittenberg. He gives all his worldly goods to his servant.

                  As death draws near Faustus tries to speak with his conscience which comes to him in the form of an old man. This old man tries to persuade Dr.Faustus to repent once only to get the grace of God. But he is taken away by the company of devils.

Dr.Faustus Theme

                  Justly this play as Christian and religion play as a Dr.Faustus it is the theme at the heart of Christianity understanding of the world. One idea is sin which Christian defines as a act contrary to the will of God. In Lucifer, Faustus commits as a sense the ultimate sin. Not now disobey God, or he concise ugly and eagerly renounce obedience to him, instead to swear allegiance to the devil choose.

                  In Christian framework, however, even the worst deed can be forgiven thought the redemptive power of Jesus Christ, God’s son. According to Christian belief, God’s son. Accordingly to Christian belief, died on the cross of human king sins Faustus with Lucifer may be possibility of redemption is away open him. All of the needs do theoretically, is ask God for forgiveness. The countless movement in Faustus considers doing that urged on by the good angel on his shoulder by the old man. Either as emissaries of God personification of Faustus. At that time, Faustus decides the loyal to hill rather the seek heaven. God condemns him to spend an eternity in hell. Life does Faustus desire to repent, in the final scene. The entire play inhabited a Christian world. Spends his final moments in a slightly different universe, redemption is no longer possible and certain sins cannot be forgiven.

          

Fakeer of Jungheera

Name: - Gohel Daya B.

Roll no: - 4

Paper no:-4

Assignment title:- Fakeer of Jungheera

M.A:- Sem-1

Email ID: - dayagohil47@gmail.com

PG Enrollment no:-14101014

Submitted to:-Department of English m.k.b.university.

v     INTRODUCTION:

The presented the Fakeer of Jungheera by Henry Louis Vivian Derozio. Derozio was Indian poet and he was born on 18^th April, 1809. They are living only 22 years. He died on 1831. He was work on teacher and poet. The Eurasian poet, teacher and Journalist. Eliot Walter made produced Henry Derozio. Because the Biography in established Derozio’s reputation as a formidable revolutionary and Renaissance man.

                      The Fakeer of Jungheera is a tragic love story. It was made in Indian culture of Romanticism. Nuleeni is a woman it is a love of Fakeer. Fakeer is a minority cast man. But an Indian culture not allowed the relation of love. The Keats and Shelly a concept of Derozio’s overtones of romantics like Scott Byron. The noble man for him love has a noble man. They are passion transcends social and religious barriers. The ‘First Love Feeling’ a start love story. A dreamy and gossamer concept as in “My Dream” or mature passion. “The Fakeer of Jungheera” it was love with a warmth is a love of the celestial energy. The change of human mind are suggested in “The neglected minstrel”   and “The Golden “vase” The “Ada” “Love” and songs are “Twins” Derozio write it is a women who sings throw the medium love.

o  Role of Religion  in Indian society in Fakeer of Jungheera

The presented has been a poem of Henry Derozio has been a Fakeer of Jungheera of a love poem it is.

               The word of “The maniac widow” “Ada” and “The Golden Vase”.

o  The Social Malaise of Sati:

               Some of the inherent evil of Hindu society, they are especially practice of widow of a Social Malaise of Sati. The Burning note on the Derozio. They will be Derozio criticizes the mistaken of the belief that the practice. There is Hindu widow example is:

“An act of unparalleled of a magnanimity and devotion”.

If they were all explain Indian length the problem of sati and her’s position on it.

Her writers

                      The presented the fact it could have been so far from         any display of enthusiastic. It may be for affection. It may be able  to have a site misery existent. They are no be a melancholy reflection upon the tyranny they detected by the priest – craft. The old culture and a husband behind the women kind the sati. It a poorly creature by suffer. They could be the position of a very majority women value down. They have but a little notion of the heaven and the million year of uninterrupted happiness. When were the existences? The Hindu widow performed the house hold the most of the degrading. They are humiliating house hold offices. The youngest member of her family a decision of sati. They are only a few of the suffer Indian the indignities. The individual view of the some philanthropic some individual are directed to the abolition of widow burning. But they should first of the ensure the comfort. All of these women have a decision of the happiness. They are a widowhood-otherwise. They have been a confrere a boon upon them. When they have the existence will be May a drudge and load.

                  Derozio appreciated writer from the Indian magazine. At that time a letter’s opinion is sati. The constitutes of the most barbaric society of a minority cast of the sati. The most popular aspect of Indian society. This can be overcome through the education and intellectual development nonetheless with all his self-assurance. The most of the con-cremation, the Derozio somewhat be wielder by case of willful self-emotion. Behind the people 19^th century many upper caste. They are Hindu ritual society among them variety of messenger of the abominable act through a long process of socialization.

                     The presented have been a William Bentinck on abolished sati Derozio wrote a poem in 1829 the entitled.

               “On the abolition of sate” in a precedence of regulation extolling the merits of the decree”.

o  Analysis of the Fakeer Poem         

                    The protagonist the Fakeer of the poem is a robber Fakeer or a medicate. The Fakeer Muslim cast some unidentified. They are heroin the widow Nuleeni. They are coming for an upper cast Bengali Hindu family. The Derozio’s uses Christian imagery. They have such has heaven of the angels flitting about. Tantric tale of Raja Vikramajit and baited to create a quaint, romantic atmosphere through the tantric tale seems to be a lengthy regression within a tragic tale of a blighted Hindu Muslim live affair, it nonetheless places the tragedy Indian an impure tradition after having a rejected all other dominant religious forms. The Hindu tradition of sati Muslim prayer and Tantric quality, romantic atmosphere.

                            They could have been the Fakeer poem is Indian two cantos of twenty-eight and twenty-four stanzas respectively written in the iambic, anapestic, trochaic and dactylic matter so suit the different rhythms ranging from the normal spoken voice and slow description to the racy battles and the chant of priests and woman.

                       The introduction commercial transaction of the East India Company in India. The relationship people Indian love Henry concludes that “Affections are not made for merchandising”. The poem highlights the fact of very impression of utilitarian ideas of the East India Company. East India Company had a strong impact. They are Bengal then the proselytizing a hard work of Christian mission of a Fakeer.

                        The romantics of a Derozio open the first canto with of the wandering gently like. They have been associated with the kind have been sights occasionally reminding us of the love. The fixing of tragic tone of the poem. They could not personification a beautiful embrace of mother earth.

               Poem:-

           Alas! In fairest seeming soul

          The tide of guilt all blackly rolls;

          And then they steal religions ray

           Upon its surface but to play;

           Aso’er the darkest sea a gleam

           Of brightest sunshine off may beam,

           Gilding the wave, while dark beneath

           Are lurking danger, woe, and death.

                        The play is a very beautiful it could be a bring out a deceptive a human nature and the human of a evil the lies buried in a human soul.

                        The presented stanza a five group of people a protected with the soldiers slowly move over the plains a beating “drums and gong” carrying “spears of gold”. The establishes of a group of upper caste Hindu man. They are women eager follow the procession silently watch this saintly man. Amends them a woman come for the final rites. The notions of silentlyness. They taken have been purity and clearly identified a Fakeer poem have could be hero and heroine and the tragedy. A most fame poem tragic comes of a deeper moral ring.

               I dreamt, and now before my view.

                My dream, my golden dream is true!-

           They are a poem a brief movement a tastes the joy of heaven. She is his “beloved”, he is a “most adored”, his goddess and religion.

             He stood the statue, warmed with life;

            Demanding vengeance, not relief,

            Honour alive or death in strife.

          The father is fight appearance of the armies of shah shuja to help him fight the robber Fakeer.

              They are comments upon the uncertainty of life and its twists turns:

             How beautiful is moonlight on the stream!

             How bright on life is hope’s enchanting beam;

             Life moves inconstant, like the ripping rill,

             Hope’s and the moon’s rays quiver o’er them still!

                       Then the impending tragedy.

            Nuleeni are she becomes a free agent to choose her destine ; she prefers to die together with someone. She loves than with her husband whom she does not. They have been a comparison language word of Sanskrit word sati implied a “good and virtuous woman”. They are a commonly devoted to her husband. According to the Hindu tradition is a virtues a founded if could may be a personified a culture of the domestically nature. Women a sacrificed it could be finding continued to be sati. Sati long after they were dead a gene. However the word restricted the use if the term. “To the sacrifice alone, at that as well as the agent”.

               Background to the Fakeer of Jungheera, 1828

          The background of the Fakeer of Jungheera present play it which been a meteoric short lived in a career. The produced by the Derozio write in theme of all kinds of themes from aesthetics, education and social emancipation of love. They are writing a perspective mind of the inaccessible. They could be a mansion about the publishers have endeavored to bring out collections of his works. They are writing in the shed and light on his literary academic career.

              The rather than the difficult to say which a influence and could have been a making of the personality of Fakeer. They are a suggestion of the Derozioe’s of the early in the association when the Bhagalpur, where is alive in uncle. It could have been an image of Fakeer. “On a rock in the middle of the river”. They also between this become a “first suggestion to his fertile and imagination of the longest and most sustained flight of his muse”. These is a play with a character of the Fakeer and his beloved me. The Derozio’s soul a Fakeer “on a rock in the middle of the river”. They beloved them he gives different stages of life and its emotions.

                   They also behind the poem of a thought a romantic fantasizing of a discrete religious. They are a categories these may be a seems to be an unbounded of the many kind of the different of the young Derozio to the understand of the complexities are a sounded of the Fakeer of Jungheera. The Hindu and Islamic is a tradition he approach them from a Christian and European enlightenment perspective. The island of the represented in his writings. They are later took the shape light of matriarchy or a motherland, a category which stood in opposition to the exclusionary politics of British Empire.

                 They could have may be a Christian and enlightenment ideal love the freedom. They are Indian freedom movement and a created they me finable an iconography a successfully exploited by the Bollywood in the movie mother India (1957). They are a latter writing in like me be Benkim Chandra Chattopadhyay (1838-1894) and other Bengali writers a exploited and developed the concept of mother India of a symbolism of rallying point to give immediacy.

                      In the Fakeer of Jungheera a Derozio of the dexterously mixes the tantric. They could may be a Hindu mythological Islam    and Christian tradition to    create a     composite whole that corresponds to the energies European tradition of the 19^th century and the synergistic in a sati tradition of the fifteenth century. They are a Anglo-Indian background was a ideally suited to the hybrid and a impure. They are a tantric tale. They are magic resurrection in immorality. They are tradition provides was more suited to the Fakeer –Nuleeni’s was tragic tale. They may be a purist and idealized version of Hindu Christian or Islamic thought.

     Conclusion.              

                     The conclusion of the hardening of the religious identities in the late 19^th century and early 20^th century of love the centuries and the deepening schism between are a various of the religious categories. They are a especially Hindu and Muslim of the rejected the entire synergistic tradition that once flowed unhampered not only Bengal but the entire British India. The exemplified in the cult of stay pier. They if you have been a rejected. The secular and the universal ideas of the Derozio espouses in his poetry do not go well with the separatist and visionary political.    

Wordsworth

Name: - Gohel Daya B.

Roll no: - 4

Paper no:-3

Assignment Title:-Wordsworth

M.A:- Sem-1

Email ID: - dayagohil47@gmail.com

PG Enrollment no:-14101014

Submitted to:-Department of English m.k.b.university.

                        Wordsworth

Introduction:-

              William Wordsworth is considered the pioneer of the Romanticism in English literature ‘The Lyrical Ballads’ was published in 1798 under the combined authorship of Wordsworth and Coleridge. This poetry collection is considered the mile stone of 19^th century English Romantic poetry. In the ‘prefect to the lyrical Ballads’, Wordsworth at least length comments upon the functions and nature of poetry. Thus, Wordsworth poses himself as a poet critic in English literature. In the preface he proposes to choose includes and situation from common life and to describe them in the language really used by men. However Wordsworth adds that these description taken up in the poems could be given imaginative color. Wordsworth emphasis to find out the primary laws of our nature through these poems. He cherishes humble and rustic life as the source of poetry writing. He says that the language used by rustic people is plain and emphatic such a language will be marked with the quality of simplicity of diction in poetry. He says that the manners of rural life germinate from elementary feelings and they are durable for a long time. Moreover, the passions of man in such condition are incorporated with the beautiful and permanent form of nature. He says that the rustic language is not only the simple one but is also includes expressions. He says that the poet could be identified as a translator. Who translates other people’s sentiments from his point of view? Wordsworth then quotes Aristotle and says that poetry is the image of men and nature and the poets write under one restriction only namely the necessity of giving imaginative pleasure to a human being possessed of that information.

              Wordsworth defines poetry in his preface to the Lyrical Ballads. He says that poetry the spontaneous overflow of power feeling recollected in tranquility. Wordsworth also discuss the term ‘poet’ and the language used by the poet while written poems. He says that the poet is man speaking to men. He is endowed with more lively sensibility more enthusiasm and tenderness.

              The poet has a greater knowledge of human nature and a more comprehensive soul than are supposed to be common among mankind. Wordsworth says that the poet is a man pleased with his own passions and volition and he rejoices more than other men in the spirit of life that is in him. Wordsworth says that the poet considers man and nature as essentially adapted to each other, and the mind of man as naturally the mirror of the fair and most interstice properties of nature. The poet converse worth general nature. The knowledge of the poet and the man of science is pleasure. However the poet sings a song in which all human beings joined with him rejoice in the presence of the truth as our visible friend and hourly companion.

              Wordsworth says that poetry is the breath and spirit of all knowledge. It is the impassioned expression which is in the countenance of all science. The poet is the man who looks before and after. He is the rock of defense for human nature an up holder and preserver, charring everywhere with him relationship and love. The poet binds together be passion and knowledge. It is a immortal as the heart of man.

v      The Wordsworth theme of poetry.

The Wordsworth’s of the written by large number of poetry in poems written by him. They are the theme of the though Wordsworth poetry remained the consistent through. Even of the body language structure and images of a Wordsworth theme. They a beginning point of view in a theme remained remarkably consistent. It could be a magnification of the embody remained considered the consistent. They may be being canons Wordsworth had set out the preface to a Lyrical Ballads. In the second Ballads (1802).

Wordsworth argued that a poetry should be written in the real language of common man, rather than in the lofty and elaborate diction that were then considered “poetic”. He believed that the first principal of poetry should be pleasure and so the chief duty of poetry is to provide pleasure through a rhythmic and beautiful expression of feeling. All human sympathy, he asserted, is based on a subtle pleasure principle that is “the naked and native dignity of man”. The Wordsworth’s a poetic of a many created of the poetic divided into the initiated the Romantic era of Wordsworth. At that time a feeling of emphasizing of the poetic devices of Wordsworth they are a instinct of a feeling at that time. A most of the formality above them and mannerism. They are a more than any poet before him. They could have may be also believed the Wordsworth a gave expression to a inchoate of human emotion of the may be a Wordsworth devices of the manly kind of the poem. Thus the poem is a kindness of the Lyrical Ballad.

In the “Advertisement” to the 1798 edition of Lyrical Ballads,  Wordsworth and Coleridge state that the poems in the collection were intended as a deliberate experiment in style and subject matter. Wordsworth elaborated on this idea in the “preface to the 1800 and 1802 editions which outline his main idea of a new theory of poetry”. Wordsworth explained his poetical concept.

              “The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purpose of poetic pleasure”.

If the experiment with vernacular language was not enough of departure from the norm, the focus on simple, uneducated country people as the subject of poetry was a signal of shift to the modern literature. One of the main theme of the “Lyrical Ballads” is the return to the original state of nature, in which man led a purer and more innocent existence. The subscription of the Rousseau’s belief that man was essentially good and was corrupted by the influence of society. This may be linked with sentiments spreading thought Europe just prior to the French Revolution.

They are a Rejecting the classical notion that poetry should be elevated subjects and should be composed in a formal style, Wordsworth instead championed more democratic themes. The lives of ordinary men and women, farmer, papers and the rural poor. In the “preface” Wordsworth also emphasizes his commitment to writing in the ordinary language of people, not highly crafted poetical one. True the traditional ballad form, the poems depict realistic characters in realistic situations, and so contain a strong narrative element.

      

ØObject (Subject matter of poetry)

They could have been a principle of object in then proposed in these poem was choose inside and situations from common life, and to relate and describe them, throughout as far as possible in selection of language really used by men, and, at the same time, to throw over them a certain coloring of imagination where by ordinary things should be presented to the mind in an unusual aspect; and, further, and above all, to make these situation and incidents interesting  by tracing in them, truly through not ostentatiously, the primary laws of our nature; chiefly as regards the manner in which we associate ideas in a state of excitement.

Ø Humble and rustic life(Subject matter of poetry) 

Humble and rustic life was generally chose because in that condition, the essential passions of the heart find a batter soil in which they can attain their maturity , are less under restraint and speak a plainer and more emphatic language; because in that condition of life,our elementary feeling co-exist in a state of greater simplicity, and consequently, may be more accurately contemplated, and more forcibly communicated; because the manner of rural life germinate from these elementary feelings, and from the necessary character of rural occupations, are more easily comprehended, and are more durable; and lastly, because in that condition the passion of man are incorporated with the beautiful and permanent forms of nature.

 Language (Style of Poetry)

The language, too of these men has been adapted purified indeed from what appear to be its real defects, from all lasting and relational causes of dislike. In the disgust-because such men communicate with the best objects from which the best part of language is originally derived; and because, from their rank intercourse being less under the influence of social variety, they convey their feeling and notions in simple and elaborated expressions. According to a such a language a Wordsworth poetic of the arising out of the repeated of the language of experience and regular feelings is a more permanent a Wordsworth Lyrical Ballad and poetic devices of the far more a philosophical language of them a Wordsworth. That which is frequently substitutes for it by poets. Who thinks that they are conferring of they could have been honor upon themselves and their art, at proportion as they separate themselves. A maintain about from the sympathy of men. That’s will be indulge in arbitrary. They could have been a maintain about the capricious habits of expression. They are in the order to furnish food for fickle appetites. Thus of their own creation about the Wordsworth poetry.

The Wordsworth a style of poetical device of the owner of a poetic view. They are the most revolutionary of all the idea in his preface. He is a discarded the gaudiness of the many modern write of a poem if could begin language. That his poems are written in the ‘selection of language of man in a state of vivid selection’. His views a writing of William Wordsworth a view of poetic diction can be summed up as: ‘these is a different to the neither or nor can be any essential of the difference of the between the language of a prose a poem essential if they could have may be a metrical composition’. Of the Wordsworth.

Ø The poetry of Wordsworth Definition:

              For all good poetry of the Wordsworth is a kindness of the spontaneous overflow of powerful feeling and it is to be a true faithfulness. They have been a poems to which any value of they can be attract they were never produced on any variety of subjects of the but by a man of they are a being processed of the more have been of a usual organic sensibility a Wordsworth view of the poems had may be also find be the thought long and deep.

              They are a lifelines of our continued the influxes of the poems may be a modified and directed by our thoughts of a quotation by stanza by stanza. The contemplating a relation of these general of the representative each other a real a discover. They are a originally possessed of the such sensibility a habits of a mind will be produced. They are blindly and a mechanically of the impulses of the habits.

              When which the other that the understanding of the Reader must necessarily be in some degree enlightened, and his a affections strengthened and purified.

What is poet?

The poet is a speaking to men of the man it a true of the endowed with more lively sensibility of the more enthusiasm and tenderness.

    

The function of poetry.

‘poetry’, according to Wordsworth, ‘is the breath and finer spirit of all knowledge, the impassioned expression that is in the countenance of all science’.

       Poetry is the instrument for the propagation of moral thoughts.

       They are truths about life and religion. Wordsworth believes that’s a poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of difference towards life.